BUFFALO KILLERS- ANDY GABBARD - Fluff (POWER POP with 60s aura) CD

SKU:
16539
$5.00
Width:
4.00 (in)
Height:
0.25 (in)
Depth:
4.00 (in)
Current Stock:
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With  four bonus tracks!

Brimming with creativity, Fluff by Andy Gabbard, his debut release as a solo artist on Alive Naturalsound, isn't moving beyond what Andy has done, or will continue to do with Buffalo Killers. Sometimes, ultimately, you find yourself with extra moments and more ideas than one band can develop. So naturally, it made perfect sense to give that inward creative need an outlet. Fluff is the end result. Cut in one 12-hour studio session, Andy took on the full responsibility of doing a solo album literally. He played every instrument and wrote everything you hear. Reviving an established relationship with Alive Records, on Fluff you can hear the deeply-solid effects of the grunge genre and mid-'90s 'alternative music' in a sonic gestalt. Exhibiting characteristics of fairly recent genres, as well as some classics that surrounded him during his youth, Fluff breaks barriers of seemingly comfortable, unthreatening music cultivating a physical embodiment of Nirvana, The Smashing Pumpkins, latter Beatles and even Brian Wilson! Fluff defines Andy's environment, a creative environment... an environment of ultra-dimensional levels. The days of solo albums being released due to further 'artistic development' past a bands catalog of hits, are over. Buffalo Killers continue their successful run and now, it's not running alone. Fluff is the start of something great and fathers the true sonic beauty and the relative nature of one single person and their soundtrack of nearly unending smiles in a sea of tumultuous frowns. - Shawn Abnoxious

Fluff is a magnificent Rock & Roll album overflowing with so many stellar, brain-burrowing melodies, it’s more than fair to call it a Power Pop record (emphasis on both the “power” and the “Pop,” equally). Gabbard recorded the entire album in one 12-hour session and played all of the instruments, something you would never guess by listening — it sounds like a full band that has been together as long as Gabbard’s main project. The guitars are often loud and blissfully fuzzed out, while the bass and drums pound out the rhythms with muscular abandon. Blended with those remarkable, often gorgeous melodies, it creates a sort of joyous “dirty beauty” that is irresistible. – Cincinnati Beat